1. George Santayana, The Sense of Beauty (New York: Scribner, 1901), 45. back
2. Paul Griffiths, Modern Music and After: Directions Since 1945 (Oxford: Oxford UP, 1995), 36. back
3. Richard Kriesche, liner notes for an audio disc, ARTSAT, ORF Kunstradio (no catalog number given). The disc was brought to my attention by a review in Computer Music Journal 19 no. 2 (Summer 1995) by Tim Perkis, who was kind enough to send me a copy of the liner notes. back
4. Paul Paccione, "Gaburo­Notes on . . ." Perspectives of New Music 33 nos. 1 and 2 (Winter and Summer 1995): 112. back
5. Milton Babbitt, "The Composer as Specialist," Esthetics Contemporary, ed. Richard Kostelanetz (Buffalo: Prometheus, 1978). See page 281. back
6. Theodore Adorno, Introduction to the Sociology of Music, trans. E. B. Ashton (New York: Seabury, 1976), 179. back
7. Scott Wilkinson, "Phantom of the Brain Opera," Electronic Musician 13 no. 1 (January 1997): 35. back
8. Raymond Williams, The Politics of Modernism (London: Verso, 1996), 32. back